Not Acclimatized

Summer Photowalk | Saltwater Birch Studio A few days ago (before this heat wave), I went on a photowalk along the shores of Oak Point, where the Miramichi River spills into the Atlantic. The area is spotted with summer cottages lining a very windy road – a pretty sight.july3Summer Photowalk | Saltwater Birch Studio It’s always interesting discovering new areas in the city in which you live (especially when you’ve been there for several years) – and makes you wonder why you never made that effort before. We’re often so eager to explore new cities, without even fully exploring the one you’re in. Summer Photowalk | Saltwater Birch StudioSummer Photowalk | Saltwater Birch Studio Summer Photowalk | Saltwater Birch StudioThough full disclosure: as I write this, it is PLUS 40ºC with humidex…and, well, miserable. Considering more than half the year is spent in a state of mild to severe winter, most houses here don’t have air conditioning (including mine) – which makes you regret ever hating the endless snowstorms.Summer Photowalk | Saltwater Birch Studio Summer Photowalk | Saltwater Birch Studio My body despises hot weather: anything above 30ºC, and it starts trying to make my life miserable, with swollen limbs, zero energy and constantly feeling like I can’t breathe. I’ve resorted to lounging near the basement floor, just so I can get the heat fog off my brain enough to write this. I’m sure if your body is acclimatized to it, it wouldn’t be so bad…but Canadian weather is notoriously fickle: 20ºC the whole summer, then seemingly overnight, it doubles. Summer Photowalk | Saltwater Birch Studio  It really makes me want to move to Nunavut, where summer consists of 10ºC. At least I’d be able to breathe! Summer Photowalk | Saltwater Birch Studio I realize I may have just turned into one of those balding men sipping coffee at Tim Hortons with fellow retirees, always complaining about the weather. Nothing will change by complaining, but it does, ever so slightly, lift your spirits. So here’s to cooler days – days that won’t require fluorescent basement lighting (I’m a little scared to see what my current painting looks like under natural light). Summer Photowalk | Saltwater Birch Studio

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Brief Reprieve From Time

Painting by Vanessa Pesch | Saltwater Birch Studio June, June, June.

The weeks go by slowly, the months seem to disappear. I’m sure that only gets worse with age. Though it’s a pleasant, therapeutic side-effect of painting – that (occasional) brief reprieve from a sense of time. The kind that arises from intense focus, and lets you forget existence, with all its joys, disappointments, pressures and hopes.

Painting by Vanessa Pesch | Saltwater Birch Studio

Painting by Vanessa Pesch | Saltwater Birch Studio

Painting by Vanessa Pesch | Saltwater Birch Studio

 

Not to mention it also provides a nice distraction from the army of relentless mosquitoes waiting to maul you at your door (the not-so-pleasant side of living in a forest!). Every season certainly has it downsides, though the bright, blooming flowers, and Vitamin D surplus, more than make up for the occasional bite.

Painting by Vanessa Pesch | Saltwater Birch Studio

Things No One Tells You About Becoming An Artist (Part 2)

Earlier this week, I introduced the first instalment of lessons I’ve come to learn about pursuing an artistic career. Here is the final part of this series:

13. “Artist” does not sound like a “real” job, which means when answering the “so what do you do” question, you’ll likely be faced with a flurry of facial expressions ranging from confusion to disbelief to worry/pity. I think because some people assume “artist” is just another way of saying currently unemployed.

Sometimes it helps to be more specific when answering this question, ex. saying you’re a printmaker, or oil painter, or illustrator. It reduces some of the ambiguity, though the pity face still makes the occasional appearance.

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14. The urge will be strong to undersell yourself. Don’t. Know that if someone really loves, and wants your art, they’ll find a way to pay for it.

As an artist, I hear this a lot: “if I only had the money…” There are some people for whom this statement is true, but typically that line is used as an excuse. A polite way of saying that they may like, but don’t love, that painting, or, that they don’t see the value in spending $120 for a painting when they could buy a mass-produced printed canvas at Walmart for $30. No matter how often you hear that phrase, resist the temptation to reduce your prices – discounting may make your wallet slightly larger, but it will also decrease the individual value of your works (which is not a good thing..especially for people collecting your work). 

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15. You’re going to get rejected…a lot. Maybe not as much as writers, but enough that you sometimes wonder if it’s worth it. Try not to take it personally, or as a sign that your work isn’t good. You don’t know the circumstances – the gallerist/jury may have a preference for abstract or conceptual works, or there may have been a flood of excellent proposals this year etc.

It helps to expect rejection – and to put things in perspective, I was just recently told of a fellow artist who applies to 30 galleries every year, and gets accepted to 3 at the most. That’s a lot of rejection letters! There’s even blogs dedicated to rejection letters (a personal favourite: Rejection Letters of an Emerging Artist). If it’s any consolation, these letters are typically very sensitively worded and encouraging. I just take it as a battle scar – a small wound you’ll be proud of in the future.

Things No One Tells You About Becoming An Artist (Part 2) | Saltwater Birch Studio

16. There’s a lot of competition. It helps to figure out what sets you apart (i.e. what you’re good at) and make that your primary focus.

17. Physically making artwork is only a fraction of what you do day-to-day (taking up at most, 20-30% of your time). The rest of the time is spent applying for grants, responding to calls of submission, researching galleries, doing self-promotion, designing promotional materials, attending openings/exhibits, thinking of new ideas, researching said ideas, etc. Unless you’re lucky enough to have an assistant or gallery representation to do some of this for you (not jealous..not jealous at all).

June | Saltwater Birch Studio

18. You’ll make a lot of excuses to yourself. A common one that crops up is: if I only had a larger/quieter/better located studio then I’d work better. Recognize the problem is not usually the space, it’s procrastination (which has its roots in fear). Figure out where this fear is coming from (the Artist’s Way helps with that) and you’ll find the excuses will drop away on their own.

19. Stick to a schedule, especially if you’re working from home, aka the black hole of time.

20. There will always be ups and downs, financially and creatively. Progress is not a straight line. Like a runner training for a marathon, you just have to keep at it, push through the setbacks, and appreciate how far you’ve already come.

June | Saltwater Birch Studio

21. Your family may be among your harshest critics. They may mean well, but it doesn’t always come across that way. I find it helps to look at all critiques objectively, regardless of the source: to determine if it’s just a comment concerning personal taste (they don’t like your choice of subject), or if it’s constructive criticism (like that skyline is slightly crooked).

22. Don’t be afraid to take a non-art related job, so long as it leaves you with enough time and energy to continue your artistic practice. You’d be hard-pressed to find a professional artist who hasn’t had to take a side job at some point. We all have to pay the bills (and student loan debt) somehow. It’s not defeat if you don’t let it steer you off your artistic course.

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23. You have to believe your work is good (or at least fake it until you do believe it). Otherwise, it will be very difficult to get people to take you seriously. I mean, who would hire a lawyer who thinks they’re not a good lawyer? In the same vein, you should champion your work, or at least accept compliments proudly. By this, I don’t mean walk around saying you’re a great artist, but rather to try to strike the balance between pride and humbleness, that way you don’t come across as either obnoxious or insecure when trying to promote your work.

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24. Despite the occasional harsh words, the compliments and supportive people far outnumber the naysayers. People know it’s not an easy field; they respect the guts it takes to do it anyway. Plus they probably like your work!

25. Don’t be afraid to experiment and take your art in new directions, if that means new subjects, colors, styles etc. There can be a push to “find your own style”, implying that once you’ve found it, you should stick to it. Marketing-wise, it’s a good strategy, but for creativity, it can be deadly. Personally, I just find it too constricting to approach art that way, with the added loss of being stripped of the joy of experimentation. So, experiment away! And know that style is fluid – constantly changing and evolving.

Things No One Tells You About Becoming An Artist (Part 2) | Saltwater Birch Studio

I’ll post some more painting updates next week, when the pieces I’m working on will (hopefully) be finished!